305. Yol (1982)

Country:Turkey Directed by Yilmaz Guney and Serif Goren Even if not without weaknesses, often existed because of the huge challenges that the creators faced during production, Yol is still a masterpiece as it captures, with a powerful, heartbreaking and accurate way, the depressing reality of Turkey during the Evren dictatorship of the early 80's when a military oppression and a suffocative state control were added to a violent patriarchal society that already was suffering from poverty, underdevelopment, low level of education,archaic local laws and behaviours,sexual starvation and lacking of any form of freedom. An all-time classic, an unforgetable landmark for world's sociopolitical cinema

304. Emotion (1966)

Country: Japan Directed by Nobuhiko Obayashi Its something disturbingly silly, outdated, pretentious and amaterish in Obayashi's cinema that makes it often almost unwatchable. However,in his unique, messed up world, there are moments where he hits a rare poetical spot, when he captures and ridicules the abdurdity of the human existence with a way that is beyond words and is located in an unknown location. Emotion is one of the films that have more of these captivating special moments even if overall you would probably dislike it

303. Nomad (1982)

Country: Hong Kong Directed by Patrick Tam Goofy and of "low taste", also daring and sensual, but for sure unapologetic, Nomad blew some fresh air to the body of Hong Kong cinema in the early eighties. Watching the film today may hit many viewers also with nostalgia: the movie, more or less, illustrates what it means to be young and in love without worrying about anything else in the world. An obvious influence for the young Wong Kar-wai, mainly visually (the visuals of Nomad really stand out) but at many other levels too

302. Ghaysar (1969)

Country:Iran Directed by Masud Kimiai A young man takes revenge killing the ones responsible for the deaths of his brother and sister and Masud Kimiai gets a chance to take us to the baths, tea shops, slaughterhouses, cabarets of pro revolutionary Iran and to show us the possibly most daring and sexual scene of the history of Iranian cinema